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The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity . In the early Church, Christians used the Ichthys (fish) symbol to identify Christian places of worship and Christian homes. [1]
e. Christian symbolism is the use of symbols, including archetypes, acts, artwork or events, by Christianity. It invests objects or actions with an inner meaning expressing Christian ideas. The symbolism of the early Church was characterized by being understood by initiates only, while after the legalization of Christianity in the Roman Empire ...
Christian art is sacred art which uses subjects, themes, and imagery from Christianity. Most Christian groups use or have used art to some extent, including early Christian art and architecture and Christian media . Images of Jesus and narrative scenes from the Life of Christ are the most common subjects, and scenes from the Old Testament play ...
The English word Christmas is a shortened form of 'Christ's Mass'. The word is recorded as Crīstesmæsse in 1038 and Cristes-messe in 1131. Crīst (genitive Crīstes) is from the Greek Χριστός (Khrīstos, 'Christ'), a translation of the Hebrew מָשִׁיחַ (Māšîaḥ, 'Messiah'), meaning 'anointed'; and mæsse is from the Latin missa, the celebration of the Eucharist.
Halo (religious iconography) A halo (from Ancient Greek ἅλως (hálōs) 'threshing floor, disk'; [1] [2] also called a nimbus, aureole, glory, or gloriole ( Latin: gloriola, lit. 'little glory') is a crown of light rays, circle or disk of light [3] that surrounds a person in works of art. The halo occurs in the iconography of many religions ...
In the spandrels of the entrance doorways, around the glorified Christ, the symbols of the four evangelists, namely the lion, the ox, the man, and the eagle are shown, holding the holy books. This is a favourite motif in the sculpture of the eleventh and twelfth centuries. Sometimes the jaws of a monster figure the entrance of Hell, into which ...