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Dazzle camouflage, also known as razzle dazzle (in the U.S.) or dazzle painting, is a family of ship camouflage that was used extensively in World War I, and to a lesser extent in World War II and afterwards. Credited to the British marine artist Norman Wilkinson, though with a rejected prior claim by the zoologist John Graham Kerr, it ...
Motion camouflage is camouflage which provides a degree of concealment for a moving object, given that motion makes objects easy to detect however well their coloration matches their background or breaks up their outlines. The principal form of motion camouflage, and the type generally meant by the term, involves an attacker's mimicking the ...
Cybertronian Car, Porsche 935, Cobra STUN. Jazz is a fictional robot character from the Transformers franchise. He is usually portrayed as a music-loving robot who speaks Black Vernacular English. In certain continuities he is shown as Optimus Prime 's good friend and right-hand man.
Mingus Moves (Atlantic SD 1653) is one of the late works of American jazz bassist, composer, and bandleader Charles Mingus. He hired three new musicians for the recording: Don Pullen on piano; Ronald Hampton on trumpet, and George Adams on tenor saxophone. Drummer Dannie Richmond, a stalwart of Mingus's bands in the 1950s and '60s, rejoined the ...
Using drawn-on-film animation, McLaren and Lambart painted and scratched directly onto film stock to create a visual representation of Oscar Peterson's jazz music. [2] They used the improvisatory nature of jazz to establish a narrative, allowing the animated shapes to respond and react to the music.
On All About Jazz, Mark F. Turner said "there are more subdued voices who let their music do the talking, as is the case for Ron Miles' Quiver, a project led by the Denver-based trumpeter and his talented cohorts, guitarist Bill Frisell and drummer Brian Blade. These gentle masters are highly respected leaders with expansive discographies and ...
Jazz hands in performance dance is the extension of a performer's hands with palms toward the audience and fingers splayed. This position is also referred to as webbing . It is commonly associated with especially exuberant types of performance such as musicals , cheerleading , show choir , revue , and especially jazz dance shows. [ 1 ]
Patterns in Jazz. Patterns in Jazz is an album by American jazz saxophonist Gil Mellé recorded on April 1, 1956 and released on Blue Note later that year. [1] The quintet features trombonist Eddie Bert and rhythm section Joe Cinderella, Oscar Pettiford and Ed Thigpen.