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The portraiture of Queen Elizabeth I (1533–1603) spans the evolution of English royal portraits in the early modern period (1400/1500-1800), from the earliest representations of simple likenesses to the later complex imagery used to convey the power and aspirations of the state, as well as of the monarch at its head.
Walker Art Gallery, Liverpool. The Pelican Portrait is an oil painting of Elizabeth I of England on a wood panel, named for the pelican pendant shown on Elizabeth's breast. It is generally attributed to Nicholas Hilliard, on the basis of a scientific study and similarities to his other work.
Cultural depictions of Elizabeth I. Elizabeth I, by Steven van der Meulen, 1560s. Elizabeth I of England has inspired artistic and cultural works for over four centuries. The following lists cover various media, enduring works of high art, and recent representations in popular culture, film and fiction.
The Armada Portrait of Elizabeth I of England is the name of any of three surviving versions of an allegorical panel painting depicting the Tudor queen surrounded by symbols of royal majesty against a backdrop representing the defeat of the Spanish Armada in 1588.
Elizabeth I (7 September 1533 – 24 March 1603) [a] was Queen of England and Ireland from 17 November 1558 until her death in 1603. She was the last monarch of the House of Tudor . Elizabeth was the only surviving child of Henry VIII and Anne Boleyn, his second wife, who was executed when Elizabeth was two years old.
The free exhibition starts today in London, inside the 17th-century Palladian villa, the same site where Queen Elizabeth I was born Three Portraits of Queen Elizabeth I Displayed Together for ...
The Rainbow Portrait by an unknown artist, possibly Marcus Gheeraerts the Younger, an image of Elizabeth I as the "Queen of Love and Beauty" c. 1600, epitomizes the elaborate iconography associated with later Tudor court portraiture.
The Plimpton Sieve Portrait of Queen Elizabeth I is an oil painting by English painter George Gower dated 1579, and now in the collection of the Folger Shakespeare Library in Washington, D.C. It is one of three near-identical portraits of Elizabeth I by Gower that represent the queen holding a symbolic sieve. [1]
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The Sieve Portrait of Elizabeth I by Quentin Metsys the Younger, c. 1583. Quentin Metsys the Younger (Quinten or Massys; c. 1543 – 1589) was a Flemish Renaissance painter, one of several of his countrymen active as artists of the Tudor court in the reign of Elizabeth I of England.
