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Dazzle camouflage, also known as razzle dazzle (in the U.S.) or dazzle painting, is a family of ship camouflage that was used extensively in World War I, and to a lesser extent in World War II and afterwards. Credited to the British marine artist Norman Wilkinson, though with a rejected prior claim by the zoologist John Graham Kerr, it ...
Artist's depiction of a scintillating scotoma, exhibiting a flashing visual pattern similar to dazzle camouflage used during WWI. Scintillating scotoma is a common visual aura that was first described by 19th-century physician Hubert Airy (1838–1903). Originating from the brain, it may precede a migraine headache, but can also occur ...
A dazzler is a non- lethal weapon which uses intense directed radiation to temporarily disorient its target with flash blindness. They can effectively deter further advances, regardless of language or cultural barriers, but can also be used for hailing and warning. [1] Targets can include electronic sensors as well as human vision.
Each ship's dazzle pattern was unique to make it more difficult for the enemy to recognize different classes of ships. As a result, a profusion of dazzle schemes were tried, and the evidence for their success was at best mixed. Dazzle camouflage patterns used on destroyers are presented here; Measures 31, 32 and 33 referred to dark, medium and ...
Since motion dazzle patterns would make animals more difficult to locate accurately when moving, but easier to see when stationary, there would be an evolutionary trade-off between motion dazzle and crypsis. [123] An animal that is commonly thought to be dazzle-patterned is the zebra.
Flash blindness is an either temporary or permanent visual impairment during and following exposure of a varying length of time to a light flash of extremely high intensity, such as a nuclear explosion, flash photograph, lightning strike, or extremely bright light, i.e. a searchlight, laser pointer, landing lights or ultraviolet light. [ 1 ]
Distractive markings serve to camouflage animals or military vehicles by drawing the observer's attention away from the object as a whole, such as noticing its outline. This delays recognition. The markings necessarily have high contrast and are thus in themselves conspicuous. The mechanism therefore relies, as does camouflage as a whole, on ...
Never Turn Away. " Never Turn Away " is a song by the English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 29 October 1984 as the fourth and final single from their fifth studio album, Junk Culture (1984). Paul Humphreys sings lead vocals on the track.