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The New York City Jazz Record is a monthly New York City based publication that includes features, reviews and concert announcements regarding jazz music. It is available in print form (black and white hardcopy) as well as online at www.nycjazzrecord.com (in full color).
Carmen Mercedes McRae (April 8, 1920 – November 10, 1994) was an American jazz singer. [1] She is considered one of the most influential jazz vocalists of the 20th century and is remembered for her behind-the-beat phrasing and ironic interpretation of lyrics.
New York, often called New York City [b] or NYC, is the most populous city in the United States, located at the southern tip of New York State on one of the world's largest natural harbors. The city comprises five boroughs , each coextensive with a respective county .
The 1992 NBA playoffs was the postseason tournament following the National Basketball Association's 1991-92 season.The tournament concluded with the Eastern Conference champion Chicago Bulls defeating the Western Conference champion Portland Trail Blazers 4 games to 2 in the NBA Finals.
Cover of Jazz by Henri Matisse. Henri Matisse’s Jazz is a limited-edition art book containing prints of colorful cut-paper collages, accompanied by the artist's written thoughts. It was first issued on September 30, 1947, by art publisher Tériade. The portfolio, characterized by vibrant colors, poetic texts, and circus and theater themes ...
James Hubert "Eubie" Blake (February 7, 1887 – February 12, 1983) was an American pianist and composer of ragtime, jazz, and popular music. In 1921, he and his long-time collaborator Noble Sissle wrote Shuffle Along, one of the first Broadway musicals written and directed by African Americans. [1]
Ghost-Note is a percussion-based funk, hip hop and jazz fusion group [1] from Dallas, Texas, [2] with a rotating membership based around founding drummer Robert "Sput" Searight and founding percussionist Nate Werth, two members of the jazz band Snarky Puppy.
In Brazil, a new style of music called bossa nova evolved in the late 1950s. The free jazz movement, coming to prominence in the late 1950s, spawned very few standards. Free jazz's unorthodox structures and performance techniques are not as amenable to transcription as other jazz styles.