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Armstrong was a member of Fate Marable's New Orleans Band in 1919, here on board the S.S. Sidney. Early in his career, Armstrong played in brass bands and riverboats in New Orleans, in the late 1910s.
Sidney Bechet and His Blue Note Jazz Men with "Wild Bill" Davison: BLP 7010 1952 George Lewis and His New Orleans Stompers Echoes of New Orleans: AKA George Lewis and His New Orleans Stompers, Vol. 1: BLP 7011 1953 James P. Johnson: Rent Party: BLP 7012 1953 James P. Johnson's Blue Note Jazzmen Jazz Band Ball: BLP 7013 1953
JazzFest Berlin. 1964–present. Berlin, Germany. The festival's artistic concept has been to document, support, and validate trends in jazz, and to mirror the diversity of creative musical activity. Jefferson St. Jazz & Blues Festival. 2000–present. Nashville, Tennessee, U.S. Kongsberg Jazzfestival.
This band carries the "jazz of New Orleans to the rest of the nation". [290] Harry Pace and W.C. Handy found the first black-owned music publishing firm. [132] Thomas Edison forms a disc company, essentially conceding to the new format rather than his long-time business of cylinders. [291]
Sword Yearbook presented by PSP on Monday, Dec. 23, vs. Utah Jazz. ... New Orleans Pelicans. Black Heritage Celebration – Friday, Feb. 21, vs. New York Knicks. Women’s History Celebration ...
The double bass (/ ˈdʌbəl beɪs /), also known as the upright bass, the acoustic bass, or simply the bass, is the largest and lowest-pitched chordophone [1] in the modern symphony orchestra (excluding rare additions such as the octobass). [2] Similar in structure to the cello, it has four or five strings.