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Dazzle camouflage, also known as razzle dazzle (in the U.S.) or dazzle painting, is a family of ship camouflage that was used extensively in World War I, and to a lesser extent in World War II and afterwards. Credited to the British marine artist Norman Wilkinson, though with a rejected prior claim by the zoologist John Graham Kerr, it ...
Summary. Like Michael Ondaatje 's Coming Through Slaughter, But Beautiful takes a fictionalised look at jazz. Divided into seven sections each covering a different legendary jazz figure, it uses historical details, photographs and music to paint the self-destruction and inspiration behind genius. Short vignettes of Duke Ellington and Harry ...
London, in his autobiographical novel John Barleycorn, describes how in his youth he bought a sloop called the Razzle Dazzle from an oyster pirate called French Frank. In The Cruise of the Dazzler, the captain of the Dazzler is known as French Pete, who, like French Frank, drinks to the success of business ventures. London himself became an ...
15 March 2007. ( 2007-03-15) Running time. 95 minutes. Country. Australia. Language. English. Razzle Dazzle: A Journey into Dance is a 2007 Australian mockumentary comedy film directed by Darren Ashton about competitive dance, first screened on 15 March 2007.
The Penguin Guide to Jazz is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton , two chroniclers of jazz resident in the United Kingdom.
American singer Natalie Cole included a cover of the song on her album Unforgettable... with Love (1991). The song, reworked as a "virtual duet" with her father, Nat King Cole, reached number three on the US Billboard Adult Contemporary chart, number one on the Canadian RPM Adult Contemporary chart, and number two on the Australian Singles Chart.
Straight-ahead jazz is a genre of jazz that developed in the 1960s, with roots in the prior two decades. It omits the rock music and free jazz influences that began to appear in jazz during this period, instead preferring acoustic instruments, conventional piano comping, walking bass patterns, and swing- and bop-based drum rhythms.
The Jazz Review was a jazz criticism magazine founded by Nat Hentoff and Martin Williams in New York City in 1958. It was published until 1961. Hentoff and Williams were co-editors throughout its brief existence (which lasted 22 issues). Many issues of The Jazz Review are available at Jazz Studies Online, which assesses its quality as follows: