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  2. Kingston Mines (blues club) - Wikipedia

    en.wikipedia.org/wiki/Kingston_Mines_(blues_club)

    Kingston Mines showcases blues music ranging from delta blues to Chicago blues.Their featured artists cover a broad and diverse spectrum of the genre. Blues legends such as Koko Taylor, Carl Weathersby, and Magic Slim have played there; among a myriad more.

  3. George Freeman (guitarist) - Wikipedia

    en.wikipedia.org/wiki/George_Freeman_(guitarist)

    George Freeman (born April 10, 1927) is an American jazz guitarist and recording artist. He is known for his sophisticated technique, collaborations with high-profile performers, and notable presence in the jazz scene of Chicago, Illinois. [1]

  4. Erwin Helfer - Wikipedia

    en.wikipedia.org/wiki/Erwin_Helfer

    Born in 1936 and raised in his home-town Chicago, Erwin attended New Trier High School in Winnetka, Illinois.Helfer was mentored by William Russell, who introduced him to Glover Compton, Baby Dodds, Mahalia Jackson, Cripple Clarence Lofton, and Estelle Yancey, as a young teenager growing up in Chicago in the early 1950s.

  5. Sunset Cafe - Wikipedia

    en.wikipedia.org/wiki/Sunset_Cafe

    It was one of the most important jazz clubs in America, especially during the period between 1917 and 1928 when Chicago became a creative capital of jazz innovation and again during the emergence of bebop in the early 1940s. From its inception, the club was a rarity as a haven from segregation, since the Sunset Cafe was an integrated or "Black ...

  6. Marian McPartland - Wikipedia

    en.wikipedia.org/wiki/Marian_McPartland

    Margaret Marian McPartland OBE (née Turner; [1] 20 March 1918 – 20 August 2013), was an English–American jazz pianist, composer, and writer. She was the host of Marian McPartland's Piano Jazz on National Public Radio from 1978 to 2011.

  7. Association for the Advancement of Creative Musicians

    en.wikipedia.org/wiki/Association_for_the...

    Anthony Braxton, Henry Threadgill, and the Art Ensemble of Chicago pushed the boundaries of jazz and challenged the avant-garde classical movement led by John Cage. Concerts were heavily improvised, and many AACM members created scores that blended music, geometry, painting, and ciphers to be interpreted by the performers live.