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Straight-ahead jazz is a genre of jazz that developed in the 1960s, with roots in the prior two decades. It omits the rock music and free jazz influences that began to appear in jazz during this period, instead preferring acoustic instruments, conventional piano comping, walking bass patterns, and swing- and bop-based drum rhythms.
Jazz historian Dave Gelly described the promise of Baker's early career as "James Dean, Sinatra, and Bix, rolled into one". His well-publicized drug habit also drove his notoriety and fame. Baker was in and out of jail frequently before enjoying a career resurgence in the late 1970s and 1980s.
Avant-garde jazz (also known as avant-jazz, experimental jazz, or "new thing") [1] [2] is a style of music and improvisation that combines avant-garde art music and composition with jazz. [3] It originated in the early 1950s and developed through to the late 1960s. [4] Originally synonymous with free jazz, much avant-garde jazz was distinct ...
Jazz in June is set from June 16-18 near the park's pavilion, featuring blues and jazz concerts nightly. The concert lineup includes the following: —June 16: The U.S. Army Jazz Ambassadors at 7: ...
Stride employed left hand techniques from ragtime, wider use of the piano's range, and quick tempos. [1] Compositions were written but were also intended to be improvised. [1] The term "stride" comes from the idea of the pianist's left hand leaping, or "striding", across the piano. [2] The left hand characteristically plays a four-beat pulse ...
Milestones (instrumental composition) "Milestones" is a jazz composition written by Miles Davis. It appears on the album of the same name in 1958. It has since become a jazz standard. "Milestones" is the first example of Miles composing in a modal style and experimentation in this piece led to the writing of "So What" from the 1959 album Kind ...
Jazz improvisation by Col Loughnan (tenor saxophone) at the Manly Jazz Festival with the Sydney Jazz Legends. Loughnan was accompanied by Steve Brien (guitar), Craig Scott (double bass, face obscured), and Ron Lemke (drums). Jazz improvisation is the spontaneous invention of melodic solo lines or accompaniment parts in a performance of jazz music.
On other topics, "I'm the Slime" criticizes television, and the playful and musically adventurous "Montana" describes moving to Montana to grow dental floss. The music of Over-Nite Sensation draws from rock, jazz and pop music. "Zomby Woof" has been described as a "heavy metal hybrid of Louis Jordan and Fats Waller". Artwork