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The first of the two specials will be filmed by Kreischer at the Mahaffey … This reps the fourth and fifth specials for Kreischer at Netflix, following “Razzle Dazzle” (2023), “Hey Big Boy ...
Website. www .bertbertbert .com. Albert Charles Kreischer Jr. (born November 3, 1972) is an American stand-up comedian, podcaster, reality television host and actor. In 1997, he was featured in an article in Rolling Stone while attending Florida State University. [2] The magazine named Kreischer "the top partyer at the Number One Party School ...
Bert Kreischer: Razzle Dazzle: March 14, 2023 1 h 1 min: English Mae Martin: SAP: March 28, 2023 1 h 10 min: English Mo'Nique: My Name is Mo'Nique: April 4, 2023 1 h 16 min: English Leanne Morgan: I'm Every Woman: April 11, 2023 1 h 14 min: English Celeste Barber: Fine, thanks: April 12, 2023 59 min: English John Mulaney: Baby J: April 25, 2023 ...
Ahead of the Netflix Is a Joke comedy festival beginning on Wednesday in Los Angeles, Netflix has announced new stand-up specials from seven comics: Gabriel “Fluffy” Iglesias, Ali Wong, Jo Koy ...
The Machine is a 2023 American action comedy film directed by Peter Atencio, inspired by the 2016 stand-up routine of the same name created by Bert Kreischer. The film stars Kreischer as a fictionalized version of himself, with Mark Hamill, Jimmy Tatro, Iva Babić, Stephanie Kurtzuba and Jessica Gabor. Following its viral success, Legendary ...
The movie, opening Thursday, is the culmination of five years of perfecting and four years of pitching the story of how he robbed his classmates on a train in Russia with help from the Russian mob.
Kreischer, whose career has evolved from being Rolling Stone’s 1997 "Number One Partier in the Nation" to becoming a popular stand-up comic, was in Knoxville for his Tops Off World Tour on April 6.
Life of the Party: Stories of a Perpetual Man-Child. First edition (publ. St. Martin's Press) Life of the Party: Stories of a Perpetual Man-Child is a 2014 memoir by Bert Kreischer, discussing how he came into his career. Kirkus Reviews stated that the audience was probably majority male and seldom read books.