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  2. Ray-Ban Wayfarer - Wikipedia

    en.wikipedia.org/wiki/Ray-Ban_Wayfarer

    Ray-Ban Wayfarer. Ray-Ban Wayfarer sunglasses and eyeglasses have been manufactured by Ray-Ban since 1952. Made popular in the 1950s and 1960s by music and film icons such as Buddy Holly, Roy Orbison and James Dean, Wayfarers almost became discontinued in the 1970s, before a major resurgence was created in the 1980s through massive product ...

  3. Ray-Ban - Wikipedia

    en.wikipedia.org/wiki/Ray-Ban

    Ray-Ban is a brand of luxury sunglasses and eyeglasses created in 1936 by Bausch & Lomb. The brand is best known for its Wayfarer and Aviator lines of sunglasses. In 1999, Bausch & Lomb sold the brand to Italian eyewear conglomerate Luxottica Group for a reported $640 million.

  4. List of pre-Code films - Wikipedia

    en.wikipedia.org/wiki/List_of_pre-Code_films

    List of pre-Code films. Pre-Code Hollywood is the era in the American film industry between the introduction of sound ( talkies) in the late 1920s [1] and the enforcement of the Motion Picture Production Code (Hays Code) censorship guidelines.

  5. Pre-Code Hollywood - Wikipedia

    en.wikipedia.org/wiki/Pre-Code_Hollywood

    Pre-Code Hollywood was an era in the American film industry that occurred between the widespread adoption of sound in film in the late 1920s and the enforcement of the Motion Picture Production Code censorship guidelines (popularly known as the Hays Code) in 1934.

  6. Postal (film) - Wikipedia

    en.wikipedia.org/wiki/Postal_(film)

    Postal. (film) Postal is a 2007 German-American action comedy film co-written and directed by Uwe Boll, and starring Zack Ward, Dave Foley, Chris Coppola, Jackie Tohn, J.K. Simmons, Verne Troyer, Larry Thomas, David Huddleston and Seymour Cassel . Like some of Boll's previous films including House of the Dead and Alone in the Dark, Postal is a ...

  7. Hays Code - Wikipedia

    en.wikipedia.org/wiki/Hays_Code

    Many Americans at the time turned towards racier and more provocative foreign films, which remained largely free from code restrictions. During the 1950s, studios found ways of both complying with the code, while at the same time circumventing it.